Review: Indiana Jones movies are redolent with scenes of cruelty. One is found here: demonic priest ripping the heart continues to beat as a sacrificial victim, which is then lowered into a pit to be burned alive. Decorative skulls abound signs of doom. Why is it then that despite all this, these films are nothing like the male, art Barbara Frank Frazettas Death Dealer? The answer for me is that the director behind this is overgrown child. We find that once again in his films more serious, but the Temple of Doom, he does not need to hide. It is so complicated because of the movie Conan, but masculinity talk of.Garish, hateful spectacle story game meeting with strangers cultures brought to the exciting rides at theme parks and stereotype Temple of Doom spares us nothing both cheap and parochial . Spielbergs destructive contribution to cinema with this film, then it's not just that the horrific and grotesque are now served by multiplex so anxious adolescents are used to sneak in more midnight screenings of Grindhouse under b-movies to experience the allure of the forbidden, but instead invite now safe for the whole family, with the brilliance of the blockbuster, but also that, having made a fortune, these films are throwaway prototypes to emulate. Twenty years later, we look back at them and call them lazy sensational classics.At end of Indiana Jones lassoes his wife beside him for a kiss. This time adult Spielberg, overgrown child, stop by elephant as water pipes. The babbling above two finally kiss, to the point that a chorus of happy children around them. Spielberg suffocating vision of a happy family in which the poor and hungry are happy to have been rescued. Definitely one of the most naive, the final offensive in theaters.